教程:检查检查器在Final Cut Pro X, Pt. 2
This tutorial on Apple Final Cut Pro X takes a closer look at color correction in the Inspector, 探索平衡色彩, 颜色匹配, 和颜色蒙版和形状蒙版功能.
Welcome to the second installment of our series on inspecting the Inspector in Final Cut Pro X. 在 最后一个教程 we discussed how to make sure your clips were properly selected to load them into the viewer and edit them in the Color section of the Inspector. 我们还浏览了颜色部分的三个主要板块, 也就是颜色, 饱和, 和暴露(下面的图1).
图1. The Color, 饱和, and Exposure tabs in the Color section of the Inspector.
检查器的颜色部分(下面的图2) is chock full of functionality, and in the 最后一个教程 we only scratched the surface. 在本教程中 we’re going to round it out and talk about the rest of the functionality it offers.
图2. 检查器的颜色部分
平衡的颜色
The first thing we’ll look at is Balance color; note that in 图2 it says, “平衡:未分析.” 平衡的颜色 refers to Final Cut Pro’s ability to look at a shot and balance the color to what it thinks it should be. 例如, 如果一个镜头是用错误的白平衡拍摄的，比如说, if it’s too blue or too red--Final Cut Pro will try to look at all of the pixels, 分析颜色, 试着去平衡.
The problem is, I’ve found from experience in my edits is that it’s not very effective. 如果一针太热了, it tends to cool it off too much; if a shot’s too cold, 那会使它太热的. 更重要的是, once you click the 平衡的颜色 checkbox and Final Cut Pro changes your image to what it thinks it should be, 然后再看色板, 你会发现色彩, 饱和, 以及在中性环境下的曝光, 所以它实际上并没有向你展示它做了什么. So even if it got it close and you just need to tweak it, you can't do that. You have to start from scratch; it’s not going to show you the correction.
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